The useful side of a beautiful wardrobe

Suti’s
Fabric School

Fabric facts, told with cotton, colour and a little comic timing.

Open the first question
Suti discovers that her cotton kurta has shrunk after washing
“Same kurta. Considerably less kurta.”

Twelve useful answers

Open a question.
Meet the fabric.

Each answer separates a general textile fact from claims about a particular garment. Always follow the care label on the piece in your hand.

01Why does cotton shrink?
Three-frame comic: Suti holds a fitted kurta, checks the washer, then finds the kurta much smaller
Perfect fit. I have achieved wardrobe peace.The washing machine has entered the chat.Yesterday: kurta. Today: ambitious crop top.

Water and heat can let tension introduced during spinning, weaving and finishing relax, so the fabric contracts. The amount varies by construction and treatment. Cool washing and air-drying can help limit further shrinkage.

02Is 100% cotton always better?
Three-frame comic: Suti learns that fibre content alone does not determine comfort
One hundred percent cotton. One hundred percent confidence.Also one hundred percent too dense for this weather.Fine. The label is not the whole résumé.

Not automatically. Comfort and performance also depend on fibre quality, yarn, weave, weight, finishing and fit. A thoughtful blend may wrinkle less; pure cotton may offer the hand you prefer. Better means fit for purpose.

03Why is hand-block printing special?
Three-frame comic: Suti tries hand-block printing and appreciates a handmade variation
Align. Press. Breathe. Do not sneeze.That flower has moved two millimetres.Not a flaw. A tiny autograph from the human hand.

A printer presses carved wooden blocks onto cloth by hand, often building a design one colour at a time. Small shifts in placement and colour are natural signs of the manual process—not automatically faults.

04Why do some cotton clothes feel cooler?
Three-frame comic: Suti compares dense cotton with a light open weave
But the label said cotton.The weave says: no breeze admitted.Airflow—the quiet colleague doing all the work.

A lighter fabric, more open weave and roomier fit allow more air to move and moisture to escape. A dense or tight cotton can feel warmer. Construction changes comfort.

05Bagru and Ajrakh—what’s the difference?
Three-frame comic: Suti compares Bagru-inspired floral cloth and Ajrakh-inspired geometric cloth
You are both block prints. Twins?More like distinguished cousins with separate family histories.My apologies. I shall learn the introductions properly.

Bagru is a Rajasthan printing tradition associated with earthy palettes and resist or mordant techniques. Ajrakh is a multi-stage resist and mordant tradition associated especially with Kutch and Sindh, often using intricate geometric repeats. Both have regional and artisan variation.

06Why does cotton wrinkle so easily?
Three-frame comic: Suti irons her kurta, takes an auto ride, then finds it creased
Crisp enough to negotiate a treaty.One short auto ride later…The treaty has collapsed along the lap line.

Moisture lets bonds between cotton’s cellulose chains rearrange. When cloth is folded or compressed, new bonds can form in the creased position. Steam or ironing helps reset them.

07Does higher GSM mean better cotton?
Three-frame comic: Suti weighs heavy and light fabrics and chooses the one suited to the weather
Heavy fabric. Clearly the champion.Champion of weight, yes. Quality has other events.The medal stays. I’m wearing the breathable one.

No. GSM means grams per square metre and tells you fabric weight, not overall quality. High GSM can feel substantial; low GSM can suit airy clothing. Fibre, yarn, construction and finishing also matter.

08Why do some prints bleed colour?
Three-frame comic: an indigo garment turns Suti's white dupatta pale blue in the wash
Indigo and white can share. We are all adults.The wash water disagrees.The defendant maintains a suspiciously blue silence.

Loose surface dye, or dye that was not fully fixed or washed off, can move into wash water. Colourfastness depends on the dye, fibre, process and after-treatment. Follow the care label and wash strong colours separately at first.

09Is mulmul the same as regular cotton?
Suti studies how a light open cotton construction allows airflow
Cotton is the fibre.Mulmul is its light, finely woven mood.Same family. Much less interested in standing stiffly.

Mulmul is not a different fibre. It is a fine, lightweight, usually plain-woven cotton fabric. Fine yarns and light construction give it a soft, airy hand; other cotton fabrics may be heavier or more structured.

10Is handloom the same as hand-block print?
Suti works with a printing block while learning that printing and weaving are different processes
Hand-block means handloom, yes?One makes the cloth. The other prints its surface.Two hand skills. Two different job descriptions.

No. Handloom describes how fabric is woven. Hand-block printing describes how a surface pattern is applied. A fabric can be handloom, hand-block printed, both—or neither.

11Why do cotton clothes become softer?
Suti handles and cares for a cotton kurta
New kurta: formal introduction.Wear, wash gently, repeat.Old favourite: no introduction required.

Wearing and washing can remove some surface finishes and loosen or raise tiny surface fibres. Repeated abrasion also wears fibres down, so gentle care helps a favourite last.

12Is expensive cotton always better?
Suti compares fabrics according to their construction and purpose rather than labels
The price tag has excellent stage presence.Now let us inspect the weave, seams and finish.Quality may be quiet. It still has receipts.

Price alone cannot prove quality. It may reflect fibre, yarn, construction, finishing, craftsmanship, labour, scale and brand costs. Judge the garment on feel, construction, fit, transparency and suitability—not the tag alone.